The Mature Thing To Do [Simpsons Clip With Celebrity Cartoonists]

via videosift.com

Aw.

Bruce Sterling's "Eighteen Challenges in Contemporary Literature"

SUMMARY: Easily, not the dumbest thing Bruce Sterling has ever written.

Naturally, everything he says applies just as urgently to cartooning and ought to have been on the agenda for MOCCA's Making Good Comics in a New Era panel.

Below are a few of the challenges* that I have comments about:

2. Vernacular means of everyday communication — cellphones, social networks, streaming video — are moving into areas where printed text cannot follow.

Also true for printed text paired sequentially with images. It's also conceptually indistinguishable from Sterling's #14, which is more a corollary than its own independent "challenge." (Who is editing this blog? Was s/he laid off?)

Something to keep in mind with this point is that: until you become a famous graphic novelist (whose very name is a Brand unto itself), film, TV and animation are your mortal enemies in the attention economy marketplace. Like the other losers (e.g. literature, nonfiction writing and the static visual arts) your twin hopes used to be that your production cost was still relatively lower and that the flexible pacing of your medium's consumption afforded audiences the breathing room to digest smarter, and thus more significant and lasting, idears.

Needless to say, the (relative) democratization of the means of video production, as well as the cheapness of digital distribution, have undercut those hopes significantly. Film, TV and animation will always be more expensive, but by much less than they used to be. And further, the public's ability to parse, edit, repost and generally scrutinize moving images has radically improved thanks to these technologies. The "Cool Guys Don't Look At Explosions" musical sketch from the 2009 MTV Movie Awards, should tell us something about the ascendancy of cinema studies in academia and its convergence with homemade YouTube montages. Namely: the shelf life of every genre convention in the moving picture medium has been dramatically reduced. If that's not a recipe for exponential sophistication, than I don't know what is. (However, I would be willing to debate the amount of drag force that a glut of "lowest common denominator" Reality TV, YouTube response videos and the like are effecting on this exponential up tic.)

8. Long tail balkanizes audiences, disrupts means of canon-building and fragments literary reputation.

This is probably the only leg up we have on our rivals in moving images, whose work can "follow the vernacular" as it hightails it (heh) into the universe of cellphones and streaming video. Comics will always be cheaper and can pour themselves into all kinds of niches faster and deeper. Provided, of course, that they can stop trying to appeal to their own limited niche audiences. You know what they are!

18. The Gothic fate of poor slain Poetry is the specter at this dwindling feast.

Okay. So, clearly, this is not a challenge, but an artfully elucidated statement of fact. Can I attribute this to laziness on Sterling's part? A bit of creative license that forces the critical reader to re-evaluate his entire blog post as capital "P" Poetry? And, if the latter, why not use the cooler British spelling, "spectre"?

There's more (#'s 3-7 obviously), but I'm reticent to spend more time on it.

[Link via Wired]

* ("Challenges" sounds like self-help to me—but I realize that it can also sound like some "NASA-grade inspiring," Camelot-era bullshit.)

Preliminary Minutiae: Mini-Comic (Very) Roughs

[Click to enlarge]

BOOOOOOOOOOOOOOOOOOO!

Wow, This Really Hit The Spot Today

[via Cat and Girl]

Keep It Up, Andrew Lin

[via The Mountain Of Sadness]

God, Richard Thompson Is Good.

Few people do both whimsical daily strips about childhood and political cartoons well.

I guess it helps when the president speaks like a child. Zing!

Ugh, me. :-/

[Links: Cul De Sac | "Make The Pie Higher!"]

This Cul De Sac Strip Is One Panel Too Long

Just sayin'. [Cul De Sac]

Adrian Tomine's "The Donger And Me"

is good. [via npr]

Making The Snoopy Merchandising Model Work For Cat Owners

Slate's 2004 defense of Jim Davis's soulless merchandising empire (Basically, "He never wanted it to be art and achieved what he was going for.") highlights everything I hate about both Slate and Garfield:

Davis's genius is that he's created the most widely syndicated comic strip in history—with the attendant profusion of plush toys, T-shirts, and themed Caribbean cruises—and yet, through careful brand management, he's largely managed to deflate the naturally occurring cultural counterattack.

[...]

Davis makes no attempt to conceal the crass commercial motivations behind his creation of Garfield. Davis has the soul of an adman—his first job after dropping out of Ball State, where he majored in business and art, was in advertising—and he carefully studied the marketplace when developing Garfield. The genesis of the strip was "a conscious effort to come up with a good, marketable character," Davis told Walter Shapiro in a 1982 interview in the Washington Post. "And primarily an animal. … Snoopy is very popular in licensing. Charlie Brown is not." So, Davis looked around and noticed that dogs were popular in the funny papers, but there wasn't a strip for the nation's 15 million cat owners. Then, he consciously developed a stable of recurring, repetitive jokes for the cat. He hates Mondays. He loves lasagna. He sure is fat.

Please remember that Slate is a publication that loves capitalism so much they (incorrectly) believed In Trade betting would be an accurate predictor of the presidential primaries (an event that provided a few excuses, but little soul searching).

Blergh.

"FDR basically had the coolest dog of any president"

[via NationMaster, yeah] On September 23, 1944, Roosevelt gave his famous "Fala speech" while campaigning in the 1944 presidential election. The 39.5 minute speech was delivered at a campaign dinner in Washington, D.C., before the International Brotherhood of Teamsters, Chauffeurs, Warehousemen and Helpers of America. In the speech, Roosevelt attacks Republican opponents in Congress and details their attacks on him. Late in the speech, Roosevelt addressed false Republican charges that he had accidentally left Fala behind on the Aleutian Islands while on tour there and had sent a U.S. Navy destroyer to retrieve him at an exorbitant cost:

"These Republican leaders have not been content with attacks on me, or my wife, or on my sons. No, not content with that, they now include my little dog, Fala. [laughter] Well, of course, I don't resent attacks, and my family doesn't resent attacks — but Fala does resent them. [laughter] You know, Fala is Scotch, and being a Scottie, as soon as he learned that the Republican fiction writers in Congress and out had concocted a story that I had left him behind on the Aleutian Islands and had sent a destroyer back to find him — at a cost to the taxpayers of two or three, or eight or 20 million dollars — his Scotch soul was furious. [laughter] He has not been the same dog since! [laughter] I am accustomed to hearing malicious falsehoods about myself — such as that old, worm-eaten chestnut that I have represented myself as indispensable. But I think I have a right to resent, to object to libelous statements about my dog [laughter]."

You Know, For Kids! [Me And My Cartooning]

As of today (Friday), little ones across America are seeing this issue of Current Science with my comic, "Lab Rats," and a cover I drew! Heady days over here!

Please Note: I was not responsible for the text (or the font of the text) on the cover!